Читаем The Year's Best Science Fiction, Vol. 20 полностью

Sadeq’s expression hardens. “You have a foul mouth in your head, child. All I am trying to do is to find out the facts of this situation: you should ask yourself if such disrespect furthers your interests?” He pauses for a moment, then continues, less abruptly, “Did you really have such a bad childhood with her? Do you think she did everything merely for power, or could she love you?” Pause. “You must understand, I need an answer to these things. Before I can know what is the right thing to do.”

“My mother-” Amber stops. Spawns a vaporous cloud of memory retrievals. They fan out through the space around her mind like the tail of her cometary mind. Invoking a complex of network parsers and class filters, she turns the memories into reified images and blats them at the webcam’s tiny brain so that he can see them. Some of the memories are so painful that Amber has to close her eyes. Mom in full office war-paint, leaning over Amber, promising to take her to church so that Reverend Beeching can pray the devil out of her. Mom telling Amber that they’re moving again, abruptly, dragging her away from school and the friends she’d tentatively started to like. Mom catching her on the phone to Daddy, tearing the phone in half and hitting her with it. Mom at the kitchen table, forcing her to eat-“My mother likes control.”

“Ah.” Sadeq’s expression turns glassy. “And this is how you feel about her? How long have you had that level of-no, please forgive me for asking. You obviously understand implants. Do your grandparents know? Did you talk to them?”

“My grandparents?” Amber stifles a snort. “Mom’s parents are dead. Dad’s are still alive, but they won’t talk to him-they like Mom. They think I’m creepy. I know little things, their tax bands and customer profiles. I could mine data with my head when I was four. I’m not built like little girls were in their day, and they don’t understand. You know that the old ones don’t like us at all? Some of the churches make money doing nothing but exorcisms for oldsters who think their kids are possessed.”

“Well.” Sadeq is fingering his beard again, distractedly. “I must say, this is a lot to learn. But you know that your mother has accepted Islam, don’t you? This means that you are Moslem, too. Unless you are an adult, your parent legally speaks for you. And she says that this makes you my problem. Hmm.”

“I’m not Moslem.” Amber stares at the screen. “I’m not a child, either.” Her threads are coming together, whispering scarily behind her eyes: her head is suddenly dense and turgid with ideas, heavy as a stone and twice as old as time. “I am nobody’s chattel. What does your law say about people who are born with implants? What does it say about people who want to live forever? I don’t believe in any god, mister judge. I don’t believe in any limits. Mom can’t, physically, make me do anything, and she sure can’t speak for me.”

“Well, if that is what you have to say, I must think on the matter.” He catches her eye: his expression is thoughtful, like a doctor considering a diagnosis. “I will call you again in due course. In the meantime, if you need to talk to anyone, remember that I am always available. If there is anything I can do to help ease your pain, I would be pleased to be of service. Peace be unto you, and those you care for.”

“Same to you too,” she mutters darkly as the connection goes dead. “ Now what?” she asks, as a beeping sprite gyrates across the wall, begging for attention.

“I think it’s the lander,” Pierre says helpfully. “Is it down yet?”

She rounds on him. “Hey, I thought I told you to get lost!”

“What, and miss all the fun?” He grins at her impishly. “Amber’s got a new boyfriend! Wait until I tell everybody…”

Sleep cycles pass: the borrowed 3D printer on Object Barney’s surface spews bitmaps of atoms in quantum lockstep at its rendering platform, building up the control circuitry and skeletons of new printers. (There are no clunky nano-assemblers here, no robots the size of viruses busily sorting molecules into piles-just the bizarre quantized magic of atomic holography, modulated Bose-Einstein condensates collapsing into strange, lacy, supercold machinery.) Electricity surges through the cable loops as they slice through Jupiter’s magnetosphere, slowly converting the rock’s momentum into power: small robots grovel in the orange dirt, scooping up raw material to feed to the fractionating oven. Amber’s garden of machinery flourishes slowly, unpacking itself according to a schema designed by preteens at an industrial school in Poland, with barely any need for human guidance.

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