The Year's Best Science Fiction, Vol. 20

“Shut the fuck up, ’Neko, I’m trying to concentrate.” Amber fumbles with the titanium D-ring, trying to snake the strap through it. The gauntlets are getting in her way: high orbit spacesuits-little more than a body stocking designed to hold your skin under compression and help you breathe-are easy, but this deep in Jupiter’s radiation belt, she has to wear an old moon suit that comes in about thirteen layers, and the gloves are stiff. It’s Chernobyl weather, a sleet of alpha particles and raw protons storming through the void. “Got it.” She yanks the strap tight, pulls on the D-ring, then goes to work on the next strap. Never looking down: because the wall she’s tying herself to has no floor, just a cut-off two meters below, then empty space for a hundred kilometers before the nearest solid ground.

The ground sings to her moronically: “I fall to you, you fall to me, it’s the law of gravity-”

She shoves her feet down onto the platform that juts from the side of the capsule like a suicide’s ledge: metalized Velcro grabs hold, and she pulls on the straps to turn her body around until she can see past the capsule, sideways. The capsule masses about five tons, barely bigger than an ancient Soyuz. It’s packed to overflowing with environment-sensitive stuff she’ll need, and a honking great high-gain antenna. “I hope you know what you’re doing?” someone says over the intercom.

“Of course I-” she stops. Alone in this TsUP-surplus iron maiden with its low bandwidth comms and bizarre plumbing, she feels claustrophobic and helpless: parts of her mind don’t work. When she was four, Mom took her down a famous cave system somewhere out west: when the guide turned out the lights half a kilometer underground, she’d screamed with surprise as the darkness had reached out and touched her. Now it’s not the darkness that frightens her, it’s the lack of thought. For a hundred kilometers below her, there are no minds, and even on the surface there’s not much but a moronic warbling of bots. Everything that makes the universe primate-friendly seems to be locked in the huge spaceship that looms somewhere just behind her, and she has to fight down an urge to shed her straps and swarm back up the umbilical that anchors this capsule to the Sanger. “I’ll be fine,” she forces herself to say. And even though she’s unsure that it’s true, she tries to make herself believe it. “It’s just leaving-home nerves. I’ve read about it, okay?”

There’s a funny, high-pitched whistle in her ears. For a moment, the sweat on the back of her neck turns icy cold, then the noise stops. She strains for a moment, and when it returns, she recognizes the sound: the heretofore-talkative cat, curled in the warmth of her pressurized luggage can, has begun to snore.

“Let’s go,” she says, “time to roll the wagon.” A speech macro deep in the Sanger’s docking firmware recognizes her authority and gently lets go of the pod. A couple of cold gas thrusters pop, deep banging vibrations running through the capsule, and she’s on her way.

“Amber. How’s it hanging?” A familiar voice in her ears: she blinks. Fifteen hundred seconds, nearly half an hour gone.

“Robes-Pierre, chopped any aristos lately?”

“Heh!” A pause. “I can see your head from here.”

“How’s it looking?” she asks. There’s a lump in her throat, she isn’t sure why. Pierre is probably hooked into one of the smaller proximity cameras dotted around the outer hull of the big mothership. Watching over her as she falls.

“Pretty much like always,” he says laconically. Another pause, this time longer. “This is wild, you know? Su Ang says hi, by the way.”

“Su Ang, hi,” she replies, resisting the urge to lean back and look up-up relative to her feet, not her vector-and see if the ship’s still visible.

“Hi,” Ang says shyly. “You’re very brave!”

“Still can’t beat you at chess.” Amber frowns. Su Ang and her over-engineered algae. Oscar and his pharmaceutical factory toads. People she’s known for three years, mostly ignored, and never thought about missing. “Listen, you going to come visiting?”

“Visit?” Ang sounds dubious. “When will it be ready?”

“Oh, soon enough.” At four kilograms per minute of structured-matter output, the printers on the surface have already built her a bunch of stuff: a habitat dome, the guts of an algae/shrimp farm, a bucket conveyor to bury it with, an airlock. It’s all lying around waiting for her to put it together and move into her new home. “Once the Borg get back from Amalthea.”

“Hey! You mean they’re moving? How did you figure that?”

“Go talk to them,” Amber says. Actually, she’s a large part of the reason the Sanger is about to crank its orbit up and out toward the other moon: she wants to be alone in comms silence for a couple of million seconds. The Franklin collective is doing her a big favor.

“Ahead of the curve, as usual,” Pierre cuts in, with something that sounds like admiration to her uncertain ears.

“You too,” she says, a little too fast. “Come visit when I’ve got the life-support cycle stabilized.”