Deutschman and Ella are in the room at the end of the hallway. The door stands ajar. I flatten myself against the wall, and crane for a peek through the gap. Mr Deutschman sits on one of those hard ole beds that you just about need a ladder to get up to. The bedclothes are symmetrically draped under his symmetrical ass, which makes a neat little crinkle on top. Next to the bed is a polished wooden table, where a lamp stands on a knitted doily. A wallet, a Bible, and a black-and-white picture in a heavy brass frame sit alongside. A friendly lady shines out of the picture, with clear, trusting eyes, and curly, woolen hair that blows alongside blossoms in a breeze. You can tell that breeze blew a long time ago. On the other side of the room is one small window that overlooks junk in the back yard, including a rusty kind of love-seat.
Ella stands at the end of the bed with her dress held under her chin. 'Ha! That
She pulls her panties down to her knees; doesn't inch them down, sexily or anything, but fucken yanks them, smiling like you just found her in the Mini-Mart. See what I mean about Ella?
'My, what's this here?' Deutschman's fingertips tremble onto her bare ass, his breathing gets jerky.
I take a deep breath too. Then I jump in with Mom's Polaroid. Snap!
'The psycho!' says Deutschman. His lips seem to quiver in midair, then his head slumps onto his chest, with shame I guess.
'Mr Deutschman, it's okay,' I say. 'Mr Deutschman? We're not here to make any trouble, the young lady is here by choice, and I'm just here with her. You understand?'
He raises dull eyes at me, and swallows some silent words. Then he looks back at Ella. She cocks her head like a game-show hostess, and fixes him with a grin.
'Mr Deutschman,' I say, 'I'm real sorry to barge in like this, I mean no disrespect. But, y'see, you and I have special needs, we can help each other out.' Deutschman hangs his mouth open, listens like a Texan. 'See the young lady here? I bet you'd like to spend some time with her. Your needs'll probably get well satisfied.' I copy the salesmen in Dad's videos, who always spread their hands out and chuckle, like you must be the dumbest fuck in the world if you don't see how easy things are. 'A little cash is all we need, in return for everything. Your joining fee today could be three hundred dollars, for instance – one flat, easy payment – and I'll leave the two of you to hang out some more. I won't even come back at all. And Mr Deutschman, you can have this picture, and we'll never come by again, or say a word. That's our solemn promise to you, ain't it, Miss?'
Ella puts her hands on her hips, grinning like a Mouseketeer, with her drawers around her knees. Deutschman stares at the floor awhile, then reaches for the wallet on his bedside table. He empties it of banknotes, and hands them to me without a word. A hundred and sixty dollars. My heart sinks.
'Sir, is this all you have? Just this money here?' I look down at him, all ole and shaken, and my heart sinks some more. I open out the wad of cash and peel a twenty off the top. 'Here, sir, we don't want to clean you out or anything.'
Some fucken criminal I make. He takes the note without even looking up. What suddenly stings me, though, is this: Ella's getting all the attention she craves, and getting
'I'll leave you two alone now,' I say, turning to the door.
When I reach the door though, I hear Deutschman groan behind me. I spin around to see him sliding onto his feet. Ella's panties fly back up her legs.
'Don't stop,' says Lally from the window. He turns from the camera to call over his shoulder, 'Leona – come see what we got for the show!'
I grab Ella, her dress half-scrunched into her panties, and pull her out to the hallway, fumbling and dropping Mom's camera along the way. Deutschman clatters into the bathroom ahead of us, eyes and mouth jammed open. I flick the photograph to him through the door.
'Destroy it, sir, and whatever you do – don't talk to that guy.'
Floorboards bounce as we charge to the front door and out over the steps. We're met by raindrops flying sideways through the porchlight, weaving at us like angry sperm. I yank Ella around the corner in a spray of gravel, to where my stuff is tucked in the shadows. And there stands Lally with his camera.
'Whoa, kids – wait up.'