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She made her way to her room, shrugged out of her clothes and let the window fan dry the sweat from her skin. She took an aspirin and two short hits from the pint of bourbon she kept on the night table, and she began to feel better, if only marginally. It was then that she thought of Hiro. He was out there now in the infernal heat of that crumbling cell, awaiting prison, deportation and whatever the Japanese would do to him after that. She thought of the Rape of Nanking, the Bataan Death March, Alec Guinness emerging from the sweatbox in The Bridge on the River Kwai, and then she lay face down on the bed and began to massage her temples.

Hiro. Poor Hiro. She had made love to him, after all—for the novelty, yes, and because the moment was right—but there was feeling there too. There was. And she ached for him in that parched and blistering cell, Abercorn and Turco hanging over him with their obscene and insatiable curiosity. She ached for him, she did, but she’d been through an ordeal herself, and now, as the afternoon settled in, she closed her eyes and drifted off into a sleep that was depthless and pure.

She woke to a discreet, solicitous tapping at the door. It was five in the afternoon. There was a stale taste in her mouth, the residue of nicotine and bourbon. “Yes?” she called.

It was Saxby, waking her for the second time that day. This time there were no recriminations. This time he was beaming, grinning, puffed up to the roots of his hair with boyish glee. “Ruth! Ruth!” he cried, and it sounded like a dog’s bark at the door, and then he was in the room, on the bed, snatching her hands up in his own.

“Ruth!” he cried again, as if she’d been lost for years. His eyes were swimming. He looked delirious. “Ruth!” he shouted, though he was right there, right on the bed beside her. He didn’t ask how she was feeling, how the interrogation had gone, whether they were going to shackle her to a bunch of spouse abusers on the chain gang or hang her by her thumbs—he just kept repeating her name, over and over. She wanted to know if he was drunk.

“Drunk? Hell, no: Ruth!”—there it was again—“Ruth!”—and again—“Roy Dotson just called!”

Yes? And so?

“He’s found them. My albinos. I’m out the door this minute.” And then he was up from the bed, shuffling his big feet, jerking his limbs and tugging at his ears like one of the afflicted.

“Really?” She was grinning back at him now, feeling good, feeling happy for him, though the fish business was an ongoing mystery to her. Why fish? she wanted to ask him. What was the attraction? Seals, she could see, otters, the purple gallinule, for Christ’s sake—but fish? They were cold-blooded, stupid, gaping mouths and cartoon eyes: she hated fish. Hated aquariums. Hated dip nets and seines, canoes, rivers, lakes, swamps, hated it all. But watching him there in the stippled shadows of the lace curtains, tasting his excitement, she was happy.

Then he bent to kiss her, deep and hard—the kiss of an explorer leaving home, the kiss of a lepidopterist or spelunker—and he was out the door. But then he was back, poking his head round the doorframe. “Oh, yeah,” he said, hanging there, his motor revving, fish on the brain, “I almost forgot: How’d it go? With the sheriff and all?”

The question brought her back, and for a moment she was afraid all over again, but then it passed. She was okay. She was in one piece. Hiro was in jail and her novella was shot full of holes—literally—but they weren’t going to do anything to her. She could write another novella, forget all about the Japanese and their weird rites and customs, let somebody else portray suicide in the surf and sex in kimonos. She had Sax and Septima and Thanatopsis House, she had Irving Thalamus and Laura Grobian—and Jane Shine was gone for the weekend. No, there was nothing to worry about, nothing at all.

“How’d it go?” She repeated his question, reaching for a cigarette and feeling Olympian, impervious, unscathed, La Dershowitz ascendant. She took a minute with the response, Saxby hanging there in the doorway, the late shafts of the sun gilding the curtains till they seemed solid as pillars. “Fine,” she said. “Just fine.”


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