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As the trombones blared over the deep bass voice of the Commendatore, she placed her hand on Walter’s thigh. She could feel the warmth of his skin through the fine wool of his dress trousers. Still he did not look at her, but she could see that his mouth was open and he was breathing heavily. She slid her hand up his thigh and, as the Don bravely took the Commendatore’s hand, she found Walter’s stiff penis and grasped it.

She was excited and, at the same time, curious. She had never done this before. She explored it through the fabric of his trousers. It was bigger than she expected and harder, too, more like a piece of wood than a part of the body. How strange, she thought, that such a remarkable physical change should occur just because of a woman’s touch. When she was aroused it showed in tiny changes: that almost imperceptible feeling of puffiness, and the dampness inside. For men it was like raising a flag.

She knew what boys did, for she had spied on Fitz when he was fifteen; and now she imitated the action she had seen him perform, the up-and-down movement of the hand, while the Commendatore called upon the Don to repent, and the Don repeatedly refused. Walter was panting, now, but no one could hear because the orchestra was so loud. She was overjoyed that she could please him so much. She watched the backs of the heads of the others in the box, terrified that one of them might look around, but she was too caught up in what she was doing to stop. Walter covered her hand with his own, teaching her how to do it, gripping harder on the downstroke and releasing the pressure on the up, and she imitated what he did. As the Don was dragged into the flames, Walter jerked in his seat. She felt a kind of spasm in his penis-once, twice, and a third time-and then, as the Don died of fright, Walter seemed to slump, exhausted.

Maud suddenly knew that what she had done was completely mad. She quickly withdrew her hand. She flushed with shame. She found she was panting, and tried to breathe normally.

The final ensemble began onstage, and Maud relaxed. She did not know what had possessed her, but she had got away with it. The release of tension made her want to laugh. She suppressed a giggle.

She caught Walter’s eye. He was looking at her with adoration. She felt a glow of pleasure. He leaned over and put his lips to her ear. “Thank you,” he murmured.

She sighed and said: “It was a pleasure.”

CHAPTER SIX – June 1914

At the beginning of June Grigori Peshkov at last had enough money for a ticket to New York. The Vyalov family in St. Petersburg sold him both the ticket and the papers necessary for immigration into the United States, including a letter from Mr. Josef Vyalov in Buffalo promising to give Grigori a job.

Grigori kissed the ticket. He could hardly wait to leave. It was like a dream, and he was afraid he might wake up before the boat sailed. Now that departure was so close, he longed even more for the moment when he would stand on deck and look back to watch Russia disappear over the horizon and out of his life forever.

On the evening before his departure, his friends organized a party.

It was held at Mishka’s, a bar near the Putilov Machine Works. There were a dozen workmates, most of the members of the Bolshevik Discussion Group on Socialism and Atheism, and the girls from the house where Grigori and Lev lived. They were all on strike-half the factories in St. Petersburg were on strike-so no one had much money, but they clubbed together and bought a barrel of beer and some herrings. It was a warm summer evening, and they sat on benches in a patch of waste ground next to the bar.

Grigori was not a great party lover. He would have preferred to spend the evening playing chess. Alcohol made people stupid, and flirting with other men’s wives and girlfriends just seemed pointless. His wild-haired friend Konstantin, the chairman of the discussion group, had a row about the strike with aggressive Isaak, the footballer, and they ended up in a shouting match. Big Varya, Konstantin’s mother, drank most of a bottle of vodka, punched her husband, and passed out. Lev brought a crowd of friends-men Grigori had never met, and girls he did not want to meet-and they drank all the beer without paying for anything.

Grigori spent the evening staring mournfully at Katerina. She was in a good mood-she loved parties. Her long skirt whirled and her blue-green eyes flashed as she moved around, teasing the men and charming the women, that wide, generous mouth always smiling. Her clothes were old and patched, but she had a wonderful body, the kind of figure Russian men loved, with a full bust and broad hips. Grigori had fallen in love with her on the day he had met her, and he was still in love four months later. But she preferred his brother.

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Все книги серии Century Trilogy

Fall of Giants
Fall of Giants

Follett takes you to a time long past with brio and razor-sharp storytelling. An epic tale in which you will lose yourself."– The Denver Post on World Without EndKen Follett's World Without End was a global phenomenon, a work of grand historical sweep, beloved by millions of readers and acclaimed by critics as "well-researched, beautifully detailed [with] a terrifically compelling plot" (The Washington Post) and "wonderful history wrapped around a gripping story" (St. Louis Post- Dispatch)Fall of Giants is his magnificent new historical epic. The first novel in The Century Trilogy, it follows the fates of five interrelated families-American, German, Russian, English, and Welsh-as they move through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.Thirteen-year-old Billy Williams enters a man's world in the Welsh mining pits…Gus Dewar, an American law student rejected in love, finds a surprising new career in Woodrow Wilson's White House…two orphaned Russian brothers, Grigori and Lev Peshkov, embark on radically different paths half a world apart when their plan to emigrate to America falls afoul of war, conscription, and revolution…Billy's sister, Ethel, a housekeeper for the aristocratic Fitzherberts, takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with Walter von Ulrich, a spy at the German embassy in London…These characters and many others find their lives inextricably entangled as, in a saga of unfolding drama and intriguing complexity, Fall of Giants moves seamlessly from Washington to St. Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty. As always with Ken Follett, the historical background is brilliantly researched and rendered, the action fast-moving, the characters rich in nuance and emotion. It is destined to be a new classic.In future volumes of The Century Trilogy, subsequent generations of the same families will travel through the great events of the rest of the twentieth century, changing themselves-and the century itself. With passion and the hand of a master, Follett brings us into a world we thought we knew, but now will never seem the same again.

Кен Фоллетт

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