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He ducked back into his room as the two policemen started up the stairs. It would be no use to plead with them-quite the reverse: if Pinsky discovered that Grigori was about to emigrate he would take even more pleasure in keeping him incarcerated. Grigori would not even have a chance to cash his ticket and get the money back. All those years of saving would be wasted.

He had to flee.

He scanned the tiny room frantically. It had one door and one window. He would have to go out the way Lev came in at night. He looked out: the backyard was empty. The St. Petersburg police were brutal, but no one had ever accused them of being smart, and it had not occurred to Pinsky and Kozlov to cover the rear of the house. Perhaps they knew there was no exit from the yard except across the railway-but a railway line was not much of a barrier to a desperate man.

Grigori heard shouts and cries from the girls’ room next door: the police had gone there first.

He patted the breast of his jacket. His ticket, papers, and money were in his pocket. All the rest of his worldly possessions were already packed in the cardboard suitcase.

Picking up his suitcase, he leaned as far as he could out of the window. He held the case out and threw it. It landed flat and seemed undamaged.

The door of his room burst open.

Grigori put his legs through the window, sat on the sill for a split second, then jumped to the roof of the washhouse. His feet slipped on the tiles and he sat down hard. He slid down the sloping roof to the gutter. He heard a shout behind him but he did not look back. He jumped from the washhouse roof to the ground and landed unhurt.

He picked up his suitcase and ran.

A shot rang out, scaring him into running faster. Most policemen could not hit the Winter Palace from three yards, but accidents sometimes happened. He scrambled up the railway embankment, conscious that as he climbed to the level of the window he was becoming an easier target. He heard the distinctive thud-and-gasp of a railway engine and looked to his right to see a goods train approaching fast. There was another shot, and he sensed a thump somewhere, but he felt no pain, and guessed the slug had hit his suitcase. He reached the top of the embankment, knowing his body was now outlined against the clear morning sky. The train was a few yards away. The driver sounded his klaxon loud and long. A third shot rang out. Grigori threw himself across the line just ahead of the train.

The locomotive howled past him, steel wheels clashing with steel rails, steam trailing as the klaxon faded. Grigori scrambled to his feet. Now he was shielded from gunfire by a train of open trucks loaded with coal. He ran across the remaining tracks. As the last of the coal wagons passed, he descended the far embankment and walked through the yard of a small factory into the street.

He looked at his suitcase. There was a bullet hole in one edge. It had been a near miss.

He walked briskly, catching his breath, and asked himself what he should do next. Now that he was safe-at least for the moment-he began to worry about his brother. He needed to know whether Lev was in trouble, and if so what kind.

He decided to start in the last place he had seen Lev, which was Mishka’s Bar.

As he headed for the bar, he felt nervous about being spotted. It would be bad luck, but it was not impossible: Pinsky might be roaming the streets. He pulled his cap down over his forehead, not really believing it would disguise his identity. He came across some workers heading for the docks and attached himself to the group, but with his suitcase he did not look as if he belonged.

However, he reached Mishka’s without incident. The bar was furnished with homemade wooden benches and tables. It smelled of last night’s beer and tobacco smoke. In the morning Mishka served bread and tea to people who had nowhere at home to make breakfast, but business was slow because of the strike, and the place was almost empty.

Grigori intended to ask Mishka if he knew where Lev had been headed when he left, but before he could do so he saw Katerina. She looked as if she had been up all night. Her blue-green eyes were bloodshot, her fair hair was awry, and her skirt was crumpled and stained. She was visibly distressed, with shaking hands and tear streaks on her grimy cheeks. Yet that made her more beautiful to Grigori, and he longed to take her in his arms and comfort her. Since he could not, he would do the next best thing, and come to her aid. “What’s happened?” he said. “What’s the matter?”

“Thank God you’re here,” she said. “The police are after Lev.”

Grigori groaned. So his brother was in trouble-today of all days. “What has he done?” Grigori did not bother to consider the possibility that Lev was innocent.

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Все книги серии Century Trilogy

Fall of Giants
Fall of Giants

Follett takes you to a time long past with brio and razor-sharp storytelling. An epic tale in which you will lose yourself."– The Denver Post on World Without EndKen Follett's World Without End was a global phenomenon, a work of grand historical sweep, beloved by millions of readers and acclaimed by critics as "well-researched, beautifully detailed [with] a terrifically compelling plot" (The Washington Post) and "wonderful history wrapped around a gripping story" (St. Louis Post- Dispatch)Fall of Giants is his magnificent new historical epic. The first novel in The Century Trilogy, it follows the fates of five interrelated families-American, German, Russian, English, and Welsh-as they move through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.Thirteen-year-old Billy Williams enters a man's world in the Welsh mining pits…Gus Dewar, an American law student rejected in love, finds a surprising new career in Woodrow Wilson's White House…two orphaned Russian brothers, Grigori and Lev Peshkov, embark on radically different paths half a world apart when their plan to emigrate to America falls afoul of war, conscription, and revolution…Billy's sister, Ethel, a housekeeper for the aristocratic Fitzherberts, takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with Walter von Ulrich, a spy at the German embassy in London…These characters and many others find their lives inextricably entangled as, in a saga of unfolding drama and intriguing complexity, Fall of Giants moves seamlessly from Washington to St. Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty. As always with Ken Follett, the historical background is brilliantly researched and rendered, the action fast-moving, the characters rich in nuance and emotion. It is destined to be a new classic.In future volumes of The Century Trilogy, subsequent generations of the same families will travel through the great events of the rest of the twentieth century, changing themselves-and the century itself. With passion and the hand of a master, Follett brings us into a world we thought we knew, but now will never seem the same again.

Кен Фоллетт

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