Оптика документальности. Практики работы с памятью и историей в современном искусстве

Christian Boltanski. Disappearance of a Tribe, 1939–1964 [Electronic resource]. URL: http://i-ac.eu/fr/collection/314_album-de-photos-de-la-famille-d-1939-1964-CHRISTIAN-BOLTANSKI-1971.

Christian Boltanski. 10 Portrait Photographs of Christian Boltanski, 1946–1964 [Electronic resource]. URL: https://specificobject.com/objects/info.cfm?object_id=8129#.YqetNnZBybg.

Christian Boltanski. Purim [Electronic resource]. URL: https://www.imj.org.il/en/collections/390523.

Davallon J. The Semiotic Power of Exhibition Spaces. Towards a New Conception of Museum Displays? // Hermes (France). 2011. № 1. P. 39–44.

Davallon J. L’Exposition à l’œuvre. Stratégie de communication et médiation symbolique. P.: L’Harmattan, coll. «Communication», 1999.

DeCoste F. C., Schwartz B. The Holocaust’s Ghost: Writings on Art, Politics, Law and Education. Edmonton, Alta.: University of Alberta Press, 2000.

De Jong Sh.

The Witness as Object: Video Testimony in Memorial Museums. N. Y.: Berghahn Books, 2019.

Deleuze G. ‘What is a Dispositif?’ // Armstrong T. Michel Foucault. Philosopher. N. Y.: Harvester Wheatsheaf, 1992. Р. 159–168.

Disappearance of a Tribe. Deimantas Narkevicius. 2005 [Electronic resource]. URL: https://lux.org.uk/work/disappearance-of-a-tribe/.

Documenta I [Electronic resource]. URL: https://www.documenta.de/.

Edwards E. Thinking Photography Beyond the Visual? // Photography: Theoretical snapshots / Ed. by J. J. Long, A. Noble, E. Welch. L.; N. Y.: Routledge. 2009. P. 31–48.

Enwezor O. Archive Fever: Uses of the Document in Contemporary Art. N. Y.: International Center of Photography, 2008.

Eric Baudelaire. Letters to Max [Electronic resource]. URL: https://baudelaire.net/Letters-to-Max.

Eric Baudelaire. [sic] [Electronic resource]. URL: https://baudelaire.net/FILMS.

Eric Baudelaire. Un Film Dramatique [Electronic resource]. URL: https://www.imdb.com/title/tt10793640/.

Erll A. Memory in Culture. Basingstoke: Palgrave Macmillan, 2011.

Erll A. Travelling Memory in European Film: Towards a Morphology of Mnemonic Relatedness // Image [&] Narrative. Special Issue Audiovisual Memory and the (Re-)Making of Europe. 2017.

Ernst W. Archive as a metaphor [Electronic resource] // Archive public. URL: https://archivepublic.wordpress.com/texts/wolfgang-ernst/.

Esche Ch. Energy Lithuania // Scotini M, Deimantas Narkevičius. De Capo. Fifteen films. Berlin: Archive books, 2015. P. 74–81.

Esther Shalev-Gerz. Does Your Image Reflect Me? Hanover, Germany [Electronic resource]. URL: https://www.shalev-gerz.net/portfolio/does-your-image-reflect-me/.

Esther Shalev-Gerz. The Gold Room [Electronic resource]. URL: https://www.shalev-gerz.net/portfolio/the-gold-room/.

Feraris M. Art as Document // Wittgenstein and Aesthetics: Perspectives and Debates. Frankfurt: Ontos Verlag, 2012. P. 183–193.

Fields of Our Loneliness. Mittelbau-Dora Concentration Camp Memorial [Electronic resource]. URL: https://www.buchenwald.de/en/1101/.

Foster H. Archival Impulse [Electronic resource]. URL: http://isites.harvard.edu/fs/docs/icb.topic837293.files/FosterArchivalImpulse.pdf.

Foucault M. Power/Knowledge. Selected Interviews and Other Writings. 1972–1977. N. Y.: Pantheon Books, 1980.

Foucault M. The Subject and Power // Critical Inquiry. 1982. № 4 (8). Р. 777–795.

Fowkes M., Fowkes R. The Principles of Sustainability in Contemporary Art [Electronic resource]. URL: https://web.archive.org/web/20161128083258/http://greenmuseum.org/generic_content.php?ct_id=265.

Frisch M.

A Shared Authority: Essays on the Craft and Meaning of Oral and Public History. Albany, NY: State University of New York Press, 1990.

From Generation to Generation: Inherited Memory and Contemporary Art. Contemporary Jewish Museum [Electronic resource]. URL: https://www.thecjm.org/exhibitions/2.

Frost T. The Dispositif between Foucault and Agamben // Law, Culture and the Humanities. 2018. № 3 (1). Р. 1–35.

Gibbons J. Contemporary Art and Memory: Images of Recollection and Remembrance. L.: I. B. Tauris, 2007.

Glicenstein J. Aesthetic experience and its dispositifs // Defragmentation: Curating Contemporary Music. Mainz, Schott Music, 2019.

Gombrich E. H. Art and Illusion. A Study in the Psychology of Pictorial Representation. London: Phaidon, 2004.

Goldsmith L. Letters to Max [Electronic resource]. URL: https://cinema-scope.com/spotlight/letters-max-eric-baudelaire-france/.

Gregory K., Witcomb A. The role of affect in generating historical understanding at heritage sites // Knell S., Macleod S., Watson S. Museum revolutions: how museums change and are changed. L.: Routledge, 2007. P. 263–275.

Hansen-Glucklich J. Holocaust Memory Reframed: Museums and the Challenges of Representation. New Brunswick, NJ: Rutgers University Press, 2014.