Оптика документальности. Практики работы с памятью и историей в современном искусстве

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Perry R. Holocaust hospitality: Michal Rovner`s living landscape// History and Memory. 2016. № 28 (2). P. 89–122.

Petrešin-Bachelez N. Innovative Forms of Archives, Part One: Exhibitions, Events, Books, Museums, and Lia Perjovschi’s Contemporary Art Archive [Electronic resource] // e-flux. 2010. № 13. URL: http://www.e-flux.com/journal/innovative-forms-of-archives-part-one-exhibitions-events-books-museums-and-lia-perjovschi%E2%80%99s-contemporary-art-archive/.

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Poinsot J.‑M. Les artistes contemporains et l`archive. Rennes: Presses universitaires de Rennes, 2004.

Potte-Bonneville M. Michel Foucault’s bodies// Journal of the British Society for Phenomenology. 2012. № 43 (1). P. 1–32.

Red Star Line [Electronic resource]. URL: https://redstarline.be/en.

Remember the Children: Daniel`s Story [Electronic resource]. URL: https://www.ushmm.org/information/exhibitions/museum-exhibitions/remember-the-children-daniels-story.

Rocco V. Activist Photo Spaces: ‘Situation Awareness’ and the Exhibition of the Building Workers Unions // Curatorial Studies. 2014. № 3 (1). Р. 26–48.

Rosengarten R. Between Memory and Document: The Archival Turn in Contemporary Art. Lisbon: Museu Coleção Berardo, 2013.

Rwanda Project [Electronic resource]. URL: do-jaar-the-rwanda-project/.

Scotini M. Da Capo. Deimantas Narkevičius. Once more // M. Scotini, Deimantas Narkevičius. De Capo. Fifteen films. Berlin: Archive books, 2015. P. 139–143.

Schult T., Popescu D. Revisiting Holocaust Representation in the Post-Witness Era. London: Palgrave Macmillan, 2015.

Spieker S. The big archive. N. Y.: The MIT Press, 2008.

Staniszewski M. A. The power of display. N. Y.: The MIT Press, 1998.

Susan Silas. Helmbrecht`s Walk [Electronic resource]. URL: http://www.susansilas.com/portfolio/helmbrechts-walk.html.

The role of a lifetime [Electronic resource] // LUX. URL: https://lux.org.uk/work/the-role-of-a-lifetime.

Thomas Hirschhorn: Establishing a Critical Corpus. Zürich: JRP Ringier, 2011.

Traces of Life. The World of Children [Electronic resource]. URL: https://www.yadvashem.org/yv/en/exhibitions/pavilion_auschwitz/children.asp.

Tunbridge J. E., Ashworth G. J. Dissonant heritage: The Management of the Past as a resource in conflict. Chichester: John Wiley, 1996.

Verwoert J. The role of a lifetime // Scotini M, Deimantas Narkevičius. De Capo. Fifteen films. Berlin: Archive books, 2015. P. 97–109.

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Young J. The Texture of Memory: Holocaust Memorials and Meaning. New Haven; London: Yale University Press, 1994.

Weible R. Defining Public History: Is It Possible? Is It Necessary? American historical association, 2008.

Wexler L. The State if the Album // Photography and Culture. 2017. № 10 (2). P. 99–103.

Wieviorka A. The Era of Witness. Ithaca, N. Y.: Cornell University Press, 2006.

<p>Иллюстрации</p>

Ил. 1. Эрик Бодлер. Letters to Max. 2014

Ил. 2. Кристиан Болтански. Personnes. Grand Palais. 2010. Фото: Giovanni Sighele, CC BY 2.0

Ил. 3. Деймантас Наркявичюс. The Role of the Lifetime. 2003

Ил. 4. Микаль Ровнер. Living Landscape. Яд Вашем. 2005. Фото: С. Елагин

Ил. 5. Деймантас Наркявичюс. Disappearance of a Tribe. 2005

Ил. 6. Наталья Зинцова. Смотри, товарищ, вот красная звезда. ЦТИ Фабрика. 2017

Ил. 7. Эстер Шалев-Герц. Between Listening and Telling: Last Witnesses, Auschwitz 1945–2005. Paris, France. 2005. https://www.shalev-gerz.net/portfolio/between-listening-and-telling/

Ил. 8. Эстер Шалев-Герц. Does Your Image Reflect Me? 2002. https://www.shalev-gerz.net/portfolio/does-your-image-reflect-me/

Ил. 9. Выставка вещей № 2. Елизавета Спиваковская, Михаил Колчин. 2019. Фото: Н. Базова

Ил. 10. Выставка вещей № 2. Елизавета Спиваковская, Михаил Колчин. 2019. Фото: Н. Базова