Оптика документальности. Практики работы с памятью и историей в современном искусстве

Harvey R. Witnesses. Beckett, Dante, Levi and the Foundations of Responsibility. N. Y.: Continuum, 2010.

Haymond J. A. The Muted Voice: The Limitations of Museums and the Depiction of Controversial History // Museum and Society. 2015. № 6 (13). P. 462–468.

Hirsch M. Family Frames: Photography, Narrative, and Postmemory. Cambridge, Mass.; L.: Harvard University Press, 1997.

Hirsch M. Introduction // The Familial Gaze / Ed. by M. Hirsch. Hanover; L.: Dartmouth College, University Press of New England, 1999.

His-story [Electronic resource] // gb agency. URL: https://gbagency.fr/artworks/his-story.

I Still See Their Eyes – The Vanished Jewish World [Electronic resource] // Sartle: see art differently. 2015. URL: https://www.sartle.com/artwork/i-still-see-their-eyes-the-vanished-jewish-world-michal-rovner.

Jewish Museum. Berlin [Electronic resource]. URL: https://www.jmberlin.de/.

Johnson P. Foucault and visual art’s adventurous spaces // Heterotopian Studies. 2015. № 3. P. 1–30.

Jones P. Museum architecture matters // Museum and Society. 2016. № 1 (14). P. 180–220.

Kiefer A. Occupations [Electronic resource]. URL: https://www.tate.org.uk/research/in-focus/heroic-symbols-anselmkiefer/difficult-reception-occupations.

Kuhn A. Family Secrets: Acts of Memory and Imagination. L., N. Y.: Verso, 2002.

Kuhn A. Memory texts and memory work: Performances of memory in and with visual media // Memory Studies. 2010. № 1 (10).

Kończyk L. The pedagogy of memorial sites // Journal of Education Culture and Society. 2001. № 1. Р. 15–22.

Kranz T. The Pedagogy of Remembrance as a Form of Museum Education // The Person and the Challenges. 2014. № 2. Р. 257–269.

LaCapra D.

History and Memory after Auswitz. Ithaca, N. Y.: Cornell University Press, 1998.

Laughter and Forgetting. Meet Factory [Electronic resource]. URL: http://www.meetfactory.cz/en/program/detail/smich-a-zapomneni.

Linenthal E. The Boundaries of Memory: The United States Holocaust Memorial Museum // American Quarterly. 1994. № 46. Р. 406–433.

Lippard L. Six years: the dematerialization of the art object from 1966 to 1972; a cross-reference book of information on some esthetic boundaries. N. Y.: Praeger, 1973.

Living Landscape. Яд Вашем [Электронный ресурс]. URL: http://www.yadvashem.org/yv/ru/museum/gallery01.asp.

Lyon C. M., Nix E. M., Shrum R. K. Introduction to Public History: Interpreting the Past, Engaging Audiences. L.: Rowman & Littlefield, 2017.

Marcuse H. Holocaust Memorials: The Emergence of a Genre // The American Historical Review. 2010. № 115. P. 53–89.

Margalit A. The Ethics of Memory. Cambridge: Harvard University Press, 2002.

Markowska A. Can a definition of art limit itself to the wish to reconstruct the world based on better principles // Sustainable art facing the need for regeneration, responsibility and relations. Warsaw: Polish Institute of World Art Studies; Toruń: Tako Publishing House, 2015.

McLauchlan A. Introduction to the film ‘Letters to Max’ by Eric Baudelaire. Glasgow: Centre for Contemporary Arts, 2015.

Merewether Ch. The Archive. L.: Whitechapel Gallery, 2006. (Documents of Contemporary Art: В 16 кн.)

Metoudi A. Representation and Event: Anselm Kiefer, Joseph Beuys and the Memory of the Holocaust // The Yale Journal of Criticism. 2003. № 2. P. 32–48.

Monuments against Fascism [Electronic resource]. URL: https://www.shalev-gerz.net/portfolio/monument-against-fascism/.

Morris D. Anselm Kiefer and art after Auschwitz // Shofar an Interdisciplinary Journal of Jewish Studies. 2001. № 19 (3). P. 163–165.

Mourinha J. The Impossible Utopias: A Conversation with Éric Baudelaire about Letters to Max

[Electronic resource]. URL: https://mubi.com/notebook/posts/the-impossible-utopias-a-conversation-with-eric-baudelaire-about-letters-to-max.

Museum of the Second World War [Electronic resource]. URL: https://muzeum1939.pl/ru.

Narkevičius D. Once upon in the XX century. Bristol: Arnolfini gallery Ltd, 2006.

Narkevičius D. The Role of a Lifetime. 2003 [Electronic resource]. URL: https://www.macba.cat/en/obra/r3677-the-role-of-a-lifetime/.

Nouril K. Making Memories, Mediating Histories in the Work of Deimantas Narkevičius // Mardilovich G., Taroutina M. New Narratives of Russian and East European Art: Between Traditions and Revolutions. L.: Routledge, 2019. P. 193–204.

Orly Maiberg. Special projects. Footprints [Electronic resource]. URL: https://www.orlymaiberg.com/Special-Projects.

Orly Maiberg. Special projects. European on Allenby Street [Electronic resource]. URL: https://www.orlymaiberg.com/Special-Projects.

Parente A., Carvalho V. Cinema as dispositif: Between Cinema and Contemporary Art // Cinémas: Journal of Film Studies. 2008. № 19. P. 37–55.