Such was the march of disaffection, the first anticipations of which had been revealed to Helius before the end of 66, and had induced him to urge the emperor, first by letter and afterwards in person, to hasten home. Nero, as we have seen, could not be persuaded to regard them seriously, or postpone to their consideration his paltry gratifications and amusements. After his return to Rome he had again quitted it for Naples in March, 68, and it was on the 19th of that month, the anniversary of Agrippina’s murder, while presiding at a gymnastic exhibition, that he received the news of the revolt of Vindex. Still he treated the announcement with contempt, and even expressed satisfaction at the prospect of new confiscations. He witnessed the contests with unabated interest, and retired from them to a banquet. Interrupted by fresh and more alarming despatches, he resented them with petulant ill-humour; for eight days he would neither issue orders nor be spoken to on the subject. Finally arrived a manifesto from Vindex himself, which moved him to send a message to the senate, requiring it to denounce the rebel as a public enemy; but he excused himself from appearing in person, alleging a cold or sore throat, which he must nurse for the conservation of his voice. Nothing so much incensed him as Vindex calling him Ahenobarbus instead of Nero, and disparaging his skill in singing. “Had they ever heard a better performer?” he asked peevishly of all around him. He now hurried trembling to Rome; but he was reassured, we are told, on the way by noticing a sculpture which represented a Gallic soldier dragged headlong by a Roman knight. Accordingly, with his usual levity, instead of consulting in full senate, or haranguing on the state of affairs in the Forum, he held a hasty conversation with a few only of his nobles, and passed the day in explaining to them a new water-organ, on which he proposed, he said, “with Vindex’s good leave,” to perform in public. He completed and dedicated a temple to Poppæa: once more he celebrated the games of the circus, once more he played and sang, and drove the chariot. But it was for the last time. Vindex had fallen, but Galba, it was now announced, had raised the standard of revolt. The rebel’s property in Rome was immediately confiscated, to which he replied by selling under the spear the emperor’s estates in Spain. The hour of retribution, long delayed, was now swiftly advancing; courier after courier was dashing through the gates, bringing news of the defection of generals and legions. The revolt of Virginius was no longer doubtful. At this intelligence the puny tyrant fainted; coming to himself he tore his robes and smote his head, with pusillanimous wailings. To the consolations of his nurse he replied, with the cries of an infant, “never was such ill-fortune as his; other Cæsars had fallen by the sword, he alone must lose the empire still living.” At last he recollected himself sufficiently to summon troops from Illyricum for the defence of Italy; but these, it was found, were in correspondence with the enemy. Another resource, which served only to show to what straits he was driven, was to land sailors from the fleet at Ostia, and form them into a legion. Then he invoked the pampered populace to arise in his behalf, and dressed up courtesans and dancers as Amazons to attend his march; next moment he exclaimed that he would take ship for Alexandria, and there earn subsistence by singing in the streets. Again he launched into invectives against the magistrates abroad, threatening to recall and disgrace them throughout his dominions; the provinces he would give up to pillage, he would slay every Gaul in the city, he would massacre the senate, he would let loose the lions on the populace, he would lay Rome in ashes. Finally, the tyrant’s vein exhausted, he proposed in woman’s mood to meet the rebels unarmed, trusting in his beauty, his tears, and the persuasive tones of his voice, to win them to obedience.
A Centurion Officer