Читаем Fall of Giants полностью

Bobrov and Gavrik both led by example, running through the trees toward the machine-gun nest. Suddenly Grigori found himself doing the same, crashing through bushes and jumping over deadfalls, running in a half crouch, trying not to drop his unwieldy rifle. The machine gun remained silent but the Germans fired with everything else they had, and the effect of dozens of rifles shooting at the same time seemed almost as bad, but Grigori ran on as if it were the only thing he could do. He could see the machine-gun team desperately reloading, their hands fumbling the magazine, their faces white with fear. Some of the Russians were firing, but Grigori did not have that much presence of mind-he just ran. He was still some distance from the machine gun when he saw three Germans hiding behind a bush. They looked terribly young, and stared at him with frightened faces. He charged them with his bayoneted rifle held in front of him like a medieval lance. He heard someone screaming and realized it was himself. The three young soldiers ran away.

He went after them, but he was weak from hunger, and they easily outran him. After a hundred yards he stopped, exhausted. All around him the Germans were fleeing and the Russians giving chase. The machine-gun crew had abandoned their weapon. Grigori supposed he should be shooting, but for the moment he did not have the energy to raise his rifle.

Major Bobrov reappeared, running along the Russian line. “Forward!” he shouted. “Don’t let them get away-kill them all, or they’ll come back to shoot you another day! Go!”

Wearily, Grigori started to run. Then the picture changed. There was a commotion to his left: firing, shouting, cursing. Suddenly Russian soldiers appeared from that direction, running for their lives. Bobrov, standing next to Grigori, said: “What the hell?”

Grigori realized they were being attacked from the side.

Bobrov shouted: “Stand firm! Take cover and shoot!”

No one was listening. The newcomers poured through the woods in a panic, and Grigori’s comrades began to join the stampede, turning right and running northward.

“Hold position, you men!” Bobrov yelled. He drew his pistol. “Hold position, I say!” He aimed at the crowd of Russian troops streaming past him. “I warn you, I will shoot deserters!” There was a crack, and blood stained his hair. He fell down. Grigori did not know whether he had been felled by a stray German bullet or one from his own side.

Grigori turned and ran with the rest.

There was firing on all sides now. Grigori did not know who was shooting whom. The Russians spread out through the woods, and gradually he seemed to be leaving the noise of battle behind. He kept running as long as he could, then at last collapsed on a carpet of leaves, unable to move. He lay there for a long time, feeling paralyzed. He still had his rifle, which surprised him: he did not know why he had not dropped it.

Eventually he rose sluggishly to his feet. For some time his right ear had been painful. He touched it, and cried out in pain. His fingers came away sticky with blood. Gingerly, he felt his ear again. To his horror he found that most of it had gone. He had been wounded without knowing it. At some point a bullet had taken away the top half of his ear.

He checked his rifle. The magazine was empty. He reloaded, though he was not sure why: he seemed incapable of hitting anyone. He set the safety knob.

The Russians had been caught in an ambush, he guessed. They had been lured forward until they were surrounded, then the Germans had closed the trap.

What should he do? There was no one in sight, so he could not ask an officer for orders. But he could not stay where he was. The corps was in retreat, that was certain, so he supposed he should head back. If there was any of the Russian force left, it was presumably to the east.

He turned so that the setting sun was at his back, and began to walk. He moved as quietly as he could through the forest, not knowing where the Germans might be. He wondered if the entire Second Army had been defeated and fled. He could starve to death in the forest.

After an hour he stopped to drink from a stream. He considered bathing his wound, and decided it might be best to leave it alone. When he had drunk his fill he rested, squatting on the ground, eyes closed. Soon it would be dark. Fortunately the weather was dry, and he could sleep on the ground.

He was in a half doze when he heard a noise. Looking up, he was shocked to see a German officer on horseback moving slowly through the trees ten yards away. The man had passed without noticing Grigori crouching by the stream.

Stealthily, Grigori picked up his rifle and turned the safety knob. Kneeling, he shouldered it and took careful aim at the middle of the German’s back. The man was now fifteen yards away, point-blank range for a rifle.

At the last moment the German was alerted by a sixth sense, and he turned in the saddle.

Grigori squeezed the trigger.

Перейти на страницу:

Все книги серии Century Trilogy

Fall of Giants
Fall of Giants

Follett takes you to a time long past with brio and razor-sharp storytelling. An epic tale in which you will lose yourself."– The Denver Post on World Without EndKen Follett's World Without End was a global phenomenon, a work of grand historical sweep, beloved by millions of readers and acclaimed by critics as "well-researched, beautifully detailed [with] a terrifically compelling plot" (The Washington Post) and "wonderful history wrapped around a gripping story" (St. Louis Post- Dispatch)Fall of Giants is his magnificent new historical epic. The first novel in The Century Trilogy, it follows the fates of five interrelated families-American, German, Russian, English, and Welsh-as they move through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.Thirteen-year-old Billy Williams enters a man's world in the Welsh mining pits…Gus Dewar, an American law student rejected in love, finds a surprising new career in Woodrow Wilson's White House…two orphaned Russian brothers, Grigori and Lev Peshkov, embark on radically different paths half a world apart when their plan to emigrate to America falls afoul of war, conscription, and revolution…Billy's sister, Ethel, a housekeeper for the aristocratic Fitzherberts, takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with Walter von Ulrich, a spy at the German embassy in London…These characters and many others find their lives inextricably entangled as, in a saga of unfolding drama and intriguing complexity, Fall of Giants moves seamlessly from Washington to St. Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty. As always with Ken Follett, the historical background is brilliantly researched and rendered, the action fast-moving, the characters rich in nuance and emotion. It is destined to be a new classic.In future volumes of The Century Trilogy, subsequent generations of the same families will travel through the great events of the rest of the twentieth century, changing themselves-and the century itself. With passion and the hand of a master, Follett brings us into a world we thought we knew, but now will never seem the same again.

Кен Фоллетт

Историческая проза

Похожие книги

Живая вещь
Живая вещь

«Живая вещь» — это второй роман «Квартета Фредерики», считающегося, пожалуй, главным произведением кавалерственной дамы ордена Британской империи Антонии Сьюзен Байетт. Тетралогия писалась в течение четверти века, и сюжет ее также имеет четвертьвековой охват, причем первые два романа вышли еще до удостоенного Букеровской премии международного бестселлера «Обладать», а третий и четвертый — после. Итак, Фредерика Поттер начинает учиться в Кембридже, неистово жадная до знаний, до самостоятельной, взрослой жизни, до любви, — ровно в тот момент истории, когда традиционно изолированная Британия получает массированную прививку европейской культуры и начинает необратимо меняться. Пока ее старшая сестра Стефани жертвует учебой и научной карьерой ради семьи, а младший брат Маркус оправляется от нервного срыва, Фредерика, в противовес Моне и Малларме, настаивавшим на «счастье постепенного угадывания предмета», предпочитает называть вещи своими именами. И ни Фредерика, ни Стефани, ни Маркус не догадываются, какая в будущем их всех ждет трагедия…Впервые на русском!

Антония Сьюзен Байетт

Историческая проза / Историческая литература / Документальное
Добро не оставляйте на потом
Добро не оставляйте на потом

Матильда, матриарх семьи Кабрелли, с юности была резкой и уверенной в себе. Но она никогда не рассказывала родным об истории своей матери. На закате жизни она понимает, что время пришло и история незаурядной женщины, какой была ее мать Доменика, не должна уйти в небытие…Доменика росла в прибрежном Виареджо, маленьком провинциальном городке, с детства она выделялась среди сверстников – свободолюбием, умом и желанием вырваться из традиционной канвы, уготованной для женщины. Выучившись на медсестру, она планирует связать свою жизнь с медициной. Но и ее планы, и жизнь всей Европы разрушены подступающей войной. Судьба Доменики окажется связана с Шотландией, с морским капитаном Джоном Мак-Викарсом, но сердце ее по-прежнему принадлежит Италии и любимому Виареджо.Удивительно насыщенный роман, в основе которого лежит реальная история, рассказывающий не только о жизни итальянской семьи, но и о судьбе британских итальянцев, которые во Вторую мировую войну оказались париями, отвергнутыми новой родиной.Семейная сага, исторический роман, пейзажи тосканского побережья и прекрасные герои – новый роман Адрианы Трижиани, автора «Жены башмачника», гарантирует настоящее погружение в удивительную, очень красивую и не самую обычную историю, охватывающую почти весь двадцатый век.

Адриана Трижиани

Историческая проза / Современная русская и зарубежная проза
Испанский вариант
Испанский вариант

Издательство «Вече» в рамках популярной серии «Военные приключения» открывает новый проект «Мастера», в котором представляет творчество известного русского писателя Юлиана Семёнова. В этот проект будут включены самые известные произведения автора, в том числе полный рассказ о жизни и опасной работе легендарного литературного героя разведчика Исаева Штирлица. В данную книгу включена повесть «Нежность», где автор рассуждает о буднях разведчика, одиночестве и ностальгии, конф­ликте долга и чувства, а также романы «Испанский вариант», переносящий читателя вместе с героем в истекающую кровью республиканскую Испанию, и «Альтернатива» — захватывающее повествование о последних месяцах перед нападением гитлеровской Германии на Советский Союз и о трагедиях, разыгравшихся тогда в Югославии и на Западной Украине.

Юлиан Семенов , Юлиан Семенович Семенов

Детективы / Исторический детектив / Политический детектив / Проза / Историческая проза