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“I’m very sorry to disturb you, Michael, but I need to speak to Brona.”

Scully let her in and called for Brona from the foot of the stairs, but received no response. “I don’t think she’s here at the minute,” he said. “She must have gone out while I was resting.”

Nora saw last night’s dreadful worry creep back into Michael Scully’s face. He might not know about Rachel Briscoe’s murder, and there was no point in making him worry needlessly. “I’ll go and have a look at the place where Cormac found her. But if she does happen to come home in the meantime, would you give me a ring?” She fished a card out of her pocket and scribbled her mobile number on it. “Just ring me on that number.” Scully nodded gravely.

All these paths, Nora thought as she picked her way up the small boreen at the back of the Scully property; all these trails twisting around and leading nowhere. The grass was deep, and there were blind corners everywhere.

If Quill had been part of the Loughnabrone excavation team all those years ago, he could have been involved in Danny Brazil’s murder. And maybe Ursula had found out about his connection, and had been using that knowledge as leverage to get something she wanted—the gold collar? The drawing was documentary evidence that it existed. If it had already been sold, maybe it was a share of the money Ursula had been after.

Nora’s head still ached, and her joints were stiff from the time she’d spent in the broom closet. If she couldn’t find Brona, or if the girl couldn’t identify Quill, then she could try to track his movements last night—find out if he’d left the hotel, who might have seen him in the town. It was impossible to know whom to trust, but she couldn’t stop now. The facts were starting to fall together, piecemeal though they might be, and it would all come out eventually. She had to believe that.

She quickened her pace, scanning the hedges at the pasture’s edge for Brona Scully’s dark head. It was probably crazy to think she could find the girl, but Cormac had done it last night. She climbed through a hole in the hedge and emerged amid a crowd of cattle, heads down at their grazing. A young bullock raised his head to inspect her, his innocent brown gaze raising a host of specters of fatted calves and sacrificial lambs. She had to find Brona, before it was too late.

No figure appeared near the fairy tree. Nora peered up into its swaddled branches, feeling once more the strange intensity in the hundreds of ragged and colorful supplications. She called out Brona’s name, not daring to speak above a whisper, as if the tree might catch and hold her plea in its gnarled limbs.

She crisscrossed the patchwork of fields a half-dozen times, poking at the base of any ditches where a hiding place might lie, skirting any low-lying spots. There was no sign of the girl anywhere. She suddenly realized that she was at a distinct disadvantage. Brona Scully knew this place, every hedge and bush and pile of stones; she could even be watching from some protected place. Nora turned, taking in the vista, the brown bog stretching into the distance, the lake below the hill. She hadn’t yet looked in Charlie Brazil’s apiary. The thought of running into Charlie again after their last meeting was not a prospect she relished, but she had to find Brona. She would advance on the place slowly, circling around it first, in case anyone was there. Brona might run if she was surprised, and Nora didn’t want to meet anyone else.

She traced the edge of the pasture above the apiary, sticking close to the framing hedge and crouching as low as she could. There was the beekeeping shed that she could use for cover. She circled cautiously around the outside of the whitethorn ring that surrounded the hives, and came up behind the abandoned house. No one seemed to be about, but the breeze carried a lazy, intermittent buzzing, depending on which way the wind shifted. Brona could be hiding; she’d have to check inside.

As she turned, she felt a strong hand clamped over her mouth and another person’s wiry strength against her own. Her captor pushed her back against the wall, and it was a moment before she realized that the wide, frightened eyes only inches from her own belonged to Brona Scully. With her free hand, the girl lifted a finger to her lips; then she pulled Nora down into the weeds.

The reason for her urgency became immediately apparent; the grass began to rustle no more than a few yards away and two figures came into view through the overgrown grass and clover. Nora recognized one of them as Dominic Brazil; the other was Desmond Quill. Brona Scully’s whole body tensed, and she pulled at Nora’s arm as if to beg her to come away. They might be able to get away without being seen, but it was risky. If they stayed put, Nora reasoned, she might be able to find out what was going on. She shook her head. Brona stopped pulling, but remained where she was.

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False Mermaid
False Mermaid

AWARD-WINNING AUTHOR ERIN HART DELIVERS A SEARING NEW NOVEL OF SUSPENSE, BRILLIANTLY MELDING MODERN FORENSICS AND IRISH MYTH AND MYSTERY IN THIS CHARGED THRILLER.American pathologist Nora Gavin fled to Ireland three years ago, hoping that distance from home would bring her peace. Though she threw herself into the study of bog bodies and the mysteries of their circumstances, she was ultimately led back to the one mystery she was unable to solve: the murder of her sister, Tríona. Nora can't move forward until she goes back—back to her home, to the scene of the crime, to the source of her nightmares and her deepest regrets.Determined to put her sister's case to rest and anxious about her eleven-year-old niece, Elizabeth, Nora returns to Saint Paul, Minnesota, to find that her brother-in-law, Peter Hallett, is about to remarry and has plans to leave the country with his new bride. Nora has long suspected Hallett in Tríona's murder, though there has never been any proof of his involvement, and now she believes that his new wife and Elizabeth may both be in danger. Time is short, and as Nora begins reinvestigating her sister's death, missed clues and ever-more disturbing details come to light. What is the significance of the "false mermaid" seeds found on Tríona's body? Why was her behavior so erratic in the days before her murder?Is there a link between Tríona's death and that of another young woman?Nora's search for answers takes her from the banks of the Mississippi to the cliffs of Ireland, where the eerie story of a fisherman's wife who vanished more than a century ago offers up uncanny parallels. As painful secrets come to light, Nora is drawn deeper into a past that still threatens to engulf her and must determine how much she is prepared to sacrifice to put one tragedy to rest… and to make sure that history doesn't repeat itself.

Эрин Харт

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Когда Роуэн Кейн случайно видит объявление о поиске няни, она решает бросить вызов судьбе и попробовать себя на это место. Ведь ее ждут щедрая зарплата, красивое поместье в шотландском высокогорье и на первый взгляд идеальная семья. Но она не представляет, что работа ее мечты очень скоро превратится в настоящий кошмар: одну из ее воспитанниц найдут мертвой, а ее саму будет ждать тюрьма.И теперь ей ничего не остается, как рассказать адвокату всю правду. О камерах, которыми был буквально нашпигован умный дом. О странных событиях, которые менее здравомыслящую девушку, чем Роуэн, заставили бы поверить в присутствие потусторонних сил. И о детях, бесконечно далеких от идеального образа, составленного их родителями…Однако если Роуэн невиновна в смерти ребенка, это означает, что настоящий преступник все еще на свободе

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