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He picked up the bills and set out to visit the exhibition of waiters mounted at the rear of the cafe. He encountered a certain coolness when he was disinclined to augment the mandatory 15 per cent service charge with any voluntary additional token of his personal appreciation, and was told that no, that was the only type of knife they had and that's all there was to it.


Dirk thanked them and walked back through the caf.


Sitting in his seat talking to Sally Mills was the young man whose knife she had purloined. He nodded to her, but she was deeply engrossed in conversation with her new friend and did not notice.


"...in a coma," she was saying, "who had to be moved to a private hospital in the early hours. God knows why it had to be done at that time of night. Just creates unnecessary trouble. Excuse me rabbiting on, but the patient had his own personal Coca-Cola machine and sledge-hammer with him, and that sort of thing is.all very well in a private hospital, but on a shortstaffed NHS ward it just makes me tired, and I talk too much when I'm tired. If I suddenly fall insensible to the floor, would you let me know?"


Dirk walked on, and then noticed that Sally Mills had left the book she had been reading on her original table, and something about it caught his attention.


It was a large book, called Run Like the Devil. In fact it was extremely large and a little dog-eared, looking more like a puff pastry cliff than a book. The bottom half of the cover featured the normal woman-in-cocktail-dress-framed-in-the-sights-of-a-gun, while the top half was entirely taken up with the author's name, Howard Bell, embossed in silver.


Dirk couldn't immediately work out what it was about the book that had caught his eye, but he knew that some detail of the cover had struck a chord with him somewhere. He gave a circumspect glance at the girl whose coffee he had purloined, and whose five coffees and two croissants, one undelivered and uneaten, he had subsequently paid for. She wasn't looking, so he purloined her book as well and slipped it into the pocket of his leather coat.


He stepped out on to the street, where a passing eagle swooped out of the sky at him, nearly forcing him into the path of a cyclist, who cursed and swore at him from a moral high ground that cyclists alone seem able to inhabit.



Chapter 11



Into the well-kempt grounds that lay just on the owtskins of a well-kempt village on the fringes of the well-kempt Cotswolds turned a less than well-kempt car.


It was a battered yellow Citron 2CV which had had one careful owner but also three suicidally reckless ones. It made its way up the driveway with a reluctant air as if all it asked for from life was to be tipped into a restful ditch in one of the adjoining meadows and there allowed to settle in graceful abandonment, instead of which here it was being asked to drag itself all the way up this long gravelled drive which it would no doubt soon be called upon to drag itself all the way back down again, to what possible purpose it was beyond its wit to imagine.


It drew to a halt in front of the elegant stone entrance to the main building, and then began to trundle slowly backwards again until its occupant yanked on the handbrake, which evoked from the car a sort of strangled "eek".


A door flopped open, wobbling perilously on its one remaining hinge, and there emerged from the car a pair of the sort of legs which soundtrack editors are unable to see without needing to slap a smoky saxophone solo all over, for reasons which no one besides soundtrack editors has ever been able to understand. In this particular case, however, the saxophone would have been silenced by the proximity of the kazoo which the same soundtrack editor would almost certainly have slapped all over the progress of the vehicle.


The owner of the legs followed them in the usual manner, closed the car door tenderly, and then made her way into the building.


The car remained parked in front of it.


After a few minutes a porter came out and examined it, adopted a disapproving manner and then, for lack of anything more positive to do, went back in.


A short time later, Kate was shown into the office of Mr Ralph Standish, the Chief Consultant Psychologist and one of the directors of the Woodshead Hospital, who was just completing a telephone conversation.


"Yes, it is true," he was saying, "that sometimes unusually intelligent and sensitive children can appear to be stupid. But, Mrs Benson, stupid children can sometimes appear to be stupid as well. I think that's something you might have to consider. I know it's very painful, yes. Good day, Mrs Benson."


He put the phone away into a desk drawer and spent a couple of seconds collecting his thoughts before looking up.


"This is very short notice, Miss, er, Schechter," he said to her at last.


In fact what he had said was, This is ve short notice, Miss, er-" and then he had paused and peered into another of his desk drawers before saying "Schechter".


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