The last payphone in town stands next to a corrugated metal fence on Keeter's corner, the remotest edge of town. If you live in Crockett's, this is your personal phone. Empty land stretches away behind it into the folds of the Balcones Escarpment, as far as you can imagine. The sign that says 'Welcome to Martirio' stands fifty yards away on the Johnson road. Somebody has crossed out the population number, and written 'Watch this space' over it. That's fucken Crockett's for you. Smelly honesty, and a sense of humor.
I lean my bike against the fence and step up to the phone. It's twenty-nine minutes after two. I have to stay aware that ole metal-mouth back at the sale will start bawling for me after an hour. I wipe the phone mouthpiece on my pants leg, a thing you learn to do up this end of town, and call up CMN in Nacogdoches. CMN –
The number rings. A real ole lady answers. 'He-llo?'
'Uh, hello – I'm wondering if Eulalio Ledesma works there?'
You hear the ole gal catch her breath. 'Who is this?'
'This is, uh – Bradley Pritchard, in Martirio.'
'Well, I only have what's left in my purse…' Coins clatter onto a tabletop at her end. You sense it ain't going to be a quick call.
'Ma'am, I'm not calling for anything, I just wanted…'
'Seven dollars and thirty cents – no – around eight dollars is all I have, for groceries.'
'I didn't mean to trouble you, ma'am – I thought this was a business number.'
'That's right – "
Mixed feelings I get. Like Lally falling off a cliff chained to my nana. 'Ma'am, I'm sorry I troubled you.'
'Well, the president isn't here right now.'
'I know, he's down here – you must've seen him on TV these days?'
'That's in very poor taste young man. Why, I've been blind for thirty years.'
'I'm real sorry, ma'am.'
'Have
'As a matter of fact, he's staying at my – uh – friend's house.'
'Oh heavens, let me find a pen…'
Another bunch of stuff clatters down the line. I stand here and wonder how you read and write when you're blind. I guess you etch lines that you can feel with your fingers, like in clay or something. Or cheese, carry cheese around all the time.
'I know it's here somewhere,' she says. 'You tell Lalo the finance company took everything, they wouldn't wait another second for payment on the van, and now the Wylers are suing over their video camera. Imagine that! – and I was the one who talked them into repairing it in the first place. Those cameras don't fix themselves overnight you know, that's what I told her. I just wish everything wasn't in my name…'
She finds the cheese, and I give her my phone number. My early joy has melted now, with the serious reality of things. I say goodbye to the lady and ride away towards the escarpment, to find the gun. Jesus rides with me in spirit. He stays silent. I've changed the course of Fate, and it weighs on me heavy.
Bushes on Keeter's trail are bizarre, all spiky and gnarled, with just enough clearing between them so the unknown is never more than fifteen yards away. Not many creatures come this far into Keeter's. Me and Jesus are the only ones I know. Last time I saw him alive at Keeter's, he was in the far distance.
Ole man Keeter owns this empty slab of land, miles of it probably, outside town. He put a wrecking shop by the ole Johnson road,
In the thick of the property lies a depression in the ground, sixty-one yards across, with wire and bushes matted around it. At the steepest end is an ole mine shaft. The den, we call it. We rigged up a door with some sheets of tin, and put a padlock on it and all. It was our headquarters, during those carefree years. That's where I took a shit the other day, the day of the tragedy, if you need to know. That's where the rifle is stashed.
It's two thirty-eight in the afternoon. Hot and sticky, with fast-moving clouds bunched low across the sky. I get to within two hundred yards of the den and hear a hammer-blow. Something moves in the bushes up ahead. It's ole Tyrie Lasseen, who runs
'Okay, son?' he calls. 'Don't be touchin nothin, could be dangerous.'
'Sure, Mr Lasseen, I'm just cruising…'