Маргиналии средневекового искусства: эссе об истории и культуре

Grossinger, Christa, ‘English Misericords of the Fourteenth and Fifteenth Centuries and their Reference to Manuscript Illuminations’, Journal of the Warburg and Courtauld Institutes, xxxvii (1975), pp. 97–108.

Halperin, David M., ‘Is There a History of Sexuality?’, History and Theory, xxviii (1989), pp. 259–74.

Hamel, Christopher de, Glossed Books of the Bible and the Origins of the Paris Book Trade, Woodbridge, Suffolk, 1984.

Harrison, Frank, and Wibberley, Roger, Manuscripts of 14th-Century English Polyphony Facsimiles, London, 1981.

Harthan, John, The Book of Hours, London, 1977.

Heers, Jacques, Fêtes des fous et carnavals, Paris, 1983.

Helsinger, Howard, ‘Images on the Beatus Page of Some Medieval Psalters’, Art Bulletin, liii (1971), pp. 161–76.

Hernstein-Smith, Barbara, On the Margins of Discourse: The Relations of Literature to Language, Chicago, il, 1978.

Holmes, Urban Tigner, ed., Daily Living in the 12th Century: Based on the Observations of Alexander Neckkam in London and Paris, Madison, wi, 1952.

Hugh of St Victor, The Didascalion of Hugh of St Victor: A Medieval Guide to the Arts, trans. J. Taylor, London, 1961.

Huysmans, J.-K., La Cathédrale, English trans., London, 1922. Рус. изд.: Гюисманс Ж. К. Собор / пер. с франц. Н. Зубкова. – М.: Энигма, 2012.

Imbault-Huart, Marie Jose, La Médecine au moyen âge à travers les manuscrits de la Bibliothèque Nationale, Paris, 1963.

Jacquart, Danielle, and Thomasset, Claude, Sexuality and Medicine in the Middle Ages, trans. M. Adamson, Princeton, NJ, 1988.

Jaeger, C. Stephen, The Origins of Courtliness: Civilizing Trends and the Formation of Courtly Ideals, 939–1210, Philadelphia, pa, 1985.

James, M. R., ‘Pictor in Carmine’, Archaeologia, xciv (1951), pp. 141–66.

Jandun, Jean de, ‘Tractatus de Laudibus Parisius’, Paris et ses historiens, ed. Le Roux de Lincy and L. Tisserand, Paris, 1867.

Janson, H. W., Apes and Ape Lore in the Middle Ages, London, 1952.

Jones, Malcolm, ‘Folklore Motifs in Late Medieval Art, i: Proverbial Follies and Impossibilities’, Folklore, c/2 (1989), pp. 201–17.

Kayser, Wolfgang, The Grotesque in Art and Literature, trans. U. Weisstein, Bloomington, in, 1963.

Keller, Hans-Erich, and Stones, Alison, La Vie de Sainte-Marguerite, Tübingen, 1990.

Kenaan-Kedar, Nurith, ‘Les Modillons de Saintonge et du Poitou comme manifestation de la culture laïque’, Cahiers de Civilisation Médiévale, xxix/4 (1986), pp. 311–30.

Kendrick, Laura, The Game of Love: Troubadour Wordplay, Berkeley, CA, 1988.

Kinser, Samuel, Rabelais’ Carnival: Text, Context, Metatext, Berkeley, CA, 1990.

Klingender, Francis, Animals in Art and Thought to the End of the Middle Ages, Cambridge, MA, 1971.

Koepping, Klaus-Peter, ‘Absurdity and Hidden Truth: Cunning Intelligence and Grotesque Body Image as Manifestations of the Trickster’, History of Religions (1985).

Kolve, V. A., The Play Called Corpus Christi, Stanford, ca, 1966.

Kraus, Henry, The Living Theatre of Medieval Art, Philadelphia, pa, 1967.

–, and Kraus, Dorothy, The Hidden World of Misericords, New York, 1975.

Kren, Thomas, ed., Renaissance Painting in Manuscripts, J. Paul Getty Museum and British Library, London, 1983.

Kris, Ernst, ‘Ego Development and the Comic’, Psychoanalytic Explorations in Art, New York, 1974, pp. 204–16.

Kristeva, Julia, Powers of Horror: An Essay on Abjection, trans. L. S. Roudiez, New York, 1982. Рус. изд.: Кристева, Юлия. Силы ужаса: Эссе об отвращении / пер. с франц. А. Костиковой. – СПб.: Алетейя, 2003.

Krohm, Hartmut, ‘Die Skulptur der Querhausfassaden an der Kathedrale von Rouen’, Aachener Kunstblaetter, xl (1971), pp. 40–153.

Kunzle, David, ‘World Upside Down: the Iconography of a European Broadsheet type’, The Reversible World: Essays in Symbolic Inversion, ed. B. Babcock, Cornell, ny, 1978.

Laangfors, A., Le Roman de Fauvel par Gervais de Bus, Paris, 1914–19.

LaCapra, Dominick, ‘Bakhtin, Marxism and the Carnivalesque’, Rethinking Intellectual History, Ithaca, NY, 1983, pp. 291–324.

Lacaze, Charlotte, ‘Parisius-Paradisus, An Aspect of the Vie de St Denis Manuscript of 1317’, Marsyas, xvi (1972–3), pp. 60–66.

Ladner, Gerhart B., ‘Homo Viator: Medieval Ideas on Alienation and Order’, Speculum, xlii/2 (1967), pp. 233–59.

Lanfry, G., La Cathédrale après la Conquête de la Normandie et jusqu’a l’occupation Anglaise, Les Cahiers de Notre Dame de Rouen, Rouen, 1960.

Langland, William, Piers Plowman: The ‘B’ Version, ed. G. Kane and E. Tabbot Donaldson, London, 1975.

Leach, Edmund, ‘Anthropological Aspects of Language: Animal Categories and Verbal Abuse’, New Directions in the Study of Language, ed. E. H. Lennenberg, Cambridge, MA, 1964, pp. 23–63.

–, Culture and Communication: The Logic by which Symbols are Connected, Cambridge, MA, 1976.

Leclercq, Jean, ‘“Joculator et saltator”: St Bernard et l’image du jongleur dans les manuscrits’, Translatio Studii: Manuscript and Library Studies honoring Oliver L. Kapsner, ed. J. G. Plante, Collegeville, mn, 1973.